Poets and Pancakes Class 12 MCQ Quiz – Test Your Knowledge!

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Are you ready to test your understanding of "Poets and Pancakes" from the Class 12 English Flamingo textbook? This MCQ quiz will help you revise important themes, including the satire on the film industry, studio politics, and the realities of the Gemini Studios.

About the Quiz

  • Story Name: Poets and Pancakes
  • Author: Asokamitran
  • Subject: English (Flamingo)
  • Book: NCERT Class 12 English
  • Question Type: Multiple Choice Questions (MCQs)
  • Leaderboard: Yes (Check Your Rank!)

Why Take This Quiz?

Boosts CBSE board exam preparation
Helps in understanding satire, humor, and studio life
Improves your grasp of key incidents and characters
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Poets and Pancakes

1 / 15

Barring the office boys and a couple of clerks, everybody else at the Studios radiated leisure, a pre-requisite for poetry. Most of them wore khadi and worshipped Gandhiji but beyond that, they had not the faintest appreciation for political thought of any kind. Naturally, they were all averse to the term ‘Communism’. A communist was a godless man-he had no filial or conjugal love; he had no compunction about killing his own parents or his children; he was always out to cause and spread unrest and violence among innocent and ignorant people. Such notions, which prevailed everywhere else in South India at that time also, naturally, floated about vaguely among the khadi-clad poets of Gemini Studios. Evidence of it was soon forthcoming.

Based on the extract, choose the correct option with reference to the two statements given below.

  • Statement 1: At Gemini Studios, the poets had a profound knowledge of Communists.
  • Statement 2: Communists were responsible for anarchy and discontent in the country.

2 / 15

What does the story reveal about the film industry and its workings?

3 / 15

‘In any case, there was this man in the make-up department who would wish the direst things for Subbu’. Here ‘direst things’ refers to something that is

4 / 15

What does the author mean by "the fiery misery" of those subjected to make-up?

5 / 15

A girl from the countryside, she hadn’t gone through all the stages of worldly experience that generally precede a position of importance and sophistication that she had found herself catapulted into. She never quite recovered from the terror she felt that day. That was the end of a brief and brilliant acting career — the legal adviser, who was also a member of the Story Department, had unwittingly brought about that sad end. While every other member of the Department wore a kind of uniform — khadi dhoti with a slightly oversized and clumsily tailored white khadi shirt — the legal adviser wore pants and a tie and sometimes a coat that looked like a coat of mail. Often, he looked alone and helpless …

Select the option that completes the given sentence appropriately.

‘Stages of worldly experience’ in the given context would refer to _____.

6 / 15

A girl from the countryside, she hadn’t gone through all the stages of worldly experience that generally precede a position of importance and sophistication that she had found herself catapulted into. She never quite recovered from the terror she felt that day. That was the end of a brief and brilliant acting career — the legal adviser, who was also a member of the Story Department, had unwittingly brought about that sad end. While every other member of the Department wore a kind of uniform — khadi dhoti with a slightly oversized and clumsily tailored white khadi shirt — the legal adviser wore pants and a tie and sometimes a coat that looked like a coat of mail. Often, he looked alone and helpless …

Select the correct option to fill in the blank.

The harm done to the actress was a/an _____.

7 / 15

What does the story of Subbu's success in the film industry reveal about the importance of loyalty, creativity, and versatility?

8 / 15

What does Asokamitran's narrative in Poets and Pancakes demonstrate about Subbu?

9 / 15

‘An extremely talented actress, who was also extremely temperamental, once blew over on the sets’.

Pick the idiom that matches best with ‘blew over’.

10 / 15

Barring the office boys and a couple of clerks, everybody else at the Studios radiated leisure, a pre-requisite for poetry. Most of them wore khadi and worshipped Gandhiji but beyond that, they had not the faintest appreciation for political thought of any kind. Naturally, they were all averse to the term ‘Communism’. A communist was a godless man-he had no filial or conjugal love; he had no compunction about killing his own parents or his children; he was always out to cause and spread unrest and violence among innocent and ignorant people. Such notions, which prevailed everywhere else in South India at that time also, naturally, floated about vaguely among the khadi-clad poets of Gemini Studios. Evidence of it was soon forthcoming.

Pick the option that uses the same figure of speech as ‘A communist is a godless man.’

11 / 15

His success in films overshadowed and dwarfed his literary achievements - or so his critics felt. He composed several truly original ‘story poems’ in folk refrain and diction and also wrote a sprawling novel Thillana Mohanambal with dozens of very deftly etched characters. He quite successfully recreated the mood and manner of the Devadasis of the early 20th century. He was an amazing actor-he never aspired to the lead roles-but whatever subsidiary role he played in any of the films, he performed better than the supposed main players. He had a genuine love for anyone he came across and his house was a permanent residence for dozens of near and far relations and acquaintances.

The phrase ‘deftly etched’ shows that Subbu

12 / 15

His success in films overshadowed and dwarfed his literary achievements - or so his critics felt. He composed several truly original ‘story poems’ in folk refrain and diction and also wrote a sprawling novel Thillana Mohanambal with dozens of very deftly etched characters. He quite successfully recreated the mood and manner of the Devadasis of the early 20th century. He was an amazing actor-he never aspired to the lead roles-but whatever subsidiary role he played in any of the films, he performed better than the supposed main players. He had a genuine love for anyone he came across and his house was a permanent residence for dozens of near and far relations and acquaintances.

Which of these statements is NOT TRUE about Subbu?

13 / 15

A girl from the countryside, she hadn’t gone through all the stages of worldly experience that generally precede a position of importance and sophistication that she had found herself catapulted into. She never quite recovered from the terror she felt that day. That was the end of a brief and brilliant acting career — the legal adviser, who was also a member of the Story Department, had unwittingly brought about that sad end. While every other member of the Department wore a kind of uniform — khadi dhoti with a slightly oversized and clumsily tailored white khadi shirt — the legal adviser wore pants and a tie and sometimes a coat that looked like a coat of mail. Often, he looked alone and helpless …

Based on the above extract, choose the statement that is TRUE for the legal adviser.

14 / 15

Pick the quote that best describes Subbu’s role in Gemini Studios based on the story.

15 / 15

His success in films overshadowed and dwarfed his literary achievements - or so his critics felt. He composed several truly original ‘story poems’ in folk refrain and diction and also wrote a sprawling novel Thillana Mohanambal with dozens of very deftly etched characters. He quite successfully recreated the mood and manner of the Devadasis of the early 20th century. He was an amazing actor-he never aspired to the lead roles-but whatever subsidiary role he played in any of the films, he performed better than the supposed main players. He had a genuine love for anyone he came across and his house was a permanent residence for dozens of near and far relations and acquaintances.

The word ‘sprawling’ has been used with the word ‘novel’. Pick the option with which the word ‘sprawling’ CANNOT be used.

Your score is

The average score is 64%

Leaderboard – Top Scorers

Check the top scorers here!

Pos.NameScoreDurationPoints
1..100 %1 minutes 32 seconds15
2..100 %1 minutes 34 seconds15
3Hari Krishna100 %1 minutes 44 seconds15
4Ashokamitran100 %1 minutes 53 seconds15
5Karma100 %2 minutes 26 seconds15
6Office Boy100 %2 minutes 27 seconds15
7Samiksha100 %3 minutes 3 seconds15
8Mm93 %1 minutes14
9..93 %2 minutes 47 seconds14
10assd93 %2 minutes 51 seconds14
11💗93 %6 minutes 2 seconds14
12..93 %7 minutes 22 seconds14
13Anamika93 %7 minutes 32 seconds14
14Ashokamitan87 %2 minutes 32 seconds13
15Abs87 %2 minutes 45 seconds13
16rani87 %2 minutes 58 seconds13
17gars87 %3 minutes13
18Aswin87 %3 minutes 11 seconds13
19..87 %3 minutes 15 seconds13
20Siddhi87 %3 minutes 31 seconds13
21Shweta Jha87 %7 minutes 59 seconds13
22Manvi87 %8 minutes 13 seconds13
23Ashokamitran80 %2 minutes 30 seconds12
24s80 %3 minutes 42 seconds12
25...80 %4 minutes 2 seconds12
26jaiditya80 %4 minutes 35 seconds12
27Shadab80 %5 minutes 25 seconds12
28Shagun80 %5 minutes 41 seconds12
29Gghy73 %3 minutes 32 seconds11
30Jfaktr0773 %3 minutes 38 seconds11
31sanas73 %3 minutes 45 seconds11
32Office Boy73 %3 minutes 50 seconds11
33Ishita73 %4 minutes 20 seconds11
34v73 %4 minutes 30 seconds11
35Siddhi Shukla73 %6 minutes 17 seconds11
36Badal73 %6 minutes 29 seconds11
37Sakshi73 %6 minutes 31 seconds11
38abc73 %7 minutes 39 seconds11
39Poets73 %9 minutes11
40Mayank pandey73 %10 minutes 39 seconds11
41...73 %12 minutes 17 seconds11
42K73 %12 minutes 37 seconds11
43Vihaan73 %13 minutes 50 seconds11
44Shalu73 %19 minutes 25 seconds11
45Hussanpreet singh67 %1 minutes 59 seconds10
46yukti67 %4 minutes 3 seconds10
47Areeba67 %4 minutes 23 seconds10
48Kanaka67 %12 minutes 28 seconds10
49Shweta Jha67 %18 minutes 30 seconds10
50Stanzin yangzomn60 %3 minutes 9 seconds9
51Hussanpreet singh60 %3 minutes 20 seconds9
52Karma60 %6 minutes 35 seconds9
53Parul60 %7 minutes 7 seconds9
54Aparna60 %7 minutes 21 seconds9
55hehe60 %9 minutes 1 seconds9
56Salam60 %9 minutes 13 seconds9
57harshit pandey60 %15 minutes 45 seconds9
58Hussanpreet singh53 %2 minutes 27 seconds8
59Priya53 %4 minutes 11 seconds8
60Aa53 %4 minutes 22 seconds8
61sanasthita53 %6 minutes 2 seconds8
62team 153 %9 minutes 5 seconds8
63S53 %10 minutes 26 seconds8
64Lakshita53 %14 minutes 26 seconds8
65Saumya53 %16 minutes 30 seconds8
66..47 %2 minutes7
67Nithya47 %3 minutes 42 seconds7
68Priyanshi47 %5 minutes 34 seconds7
69Lite47 %9 minutes 31 seconds7
70.47 %10 minutes 27 seconds7
71H47 %11 minutes 47 seconds7
72supriya47 %12 minutes 21 seconds7
73Jansiey47 %14 minutes 43 seconds7
74lodfd47 %15 minutes 23 seconds7
75pragya garg40 %5 minutes 49 seconds6
76Akanksha40 %7 minutes 49 seconds6
77Jayesh Mishra40 %16 minutes 48 seconds6
78Abhh33 %1 minutes 9 seconds5
79nnn33 %4 minutes 40 seconds5
80boby33 %10 minutes 24 seconds5
81Jsiehdbd27 %40 seconds4
82..27 %1 minutes 14 seconds4
83suhani27 %1 minutes 28 seconds4
84Year Film Language Director Music Notes 1941 Madanakamarajan Tamil B. N. Rao S. Rajeswara Rao & M. D. Parthasarathy with the arrival of K. Ramnoth, a cameraman and scenarist, and A. K. Sekhar, art director brought many changes in production. 1942 Jeevana Mukthi Telugu T. V. Neelakantan S. Rajeswara Rao is their first film in Telugu language remake of Bhaktha Chetha (1940) of K. Subramanyam.[5] 1942 Nandanar Tamil Murugadasa S. Rajeswara Rao & M. D. Parthasarathy starring M. M. Dandapani Desikar and Serukalathur Sama 1943 Mangamma Sapatham Tamil Acharya S. Rajeswara Rao & M. D. Parthasarathy 1945 Kannamma En Kadhali Tamil Kothamangalam Subbu M. D. Parthasarathy 1944 Dasi Aparanji Tamil B. N. Rao S. Rajeswara Rao & M. D. Parthasarathy 1947 Miss Malini Tamil Kothamangalam Subbu S. Rajeswara Rao & P. S. Anandaraman 1948 Kalpana Hindi Uday Shankar Vishnudas Shirali This was Uday Shankar's dance spectacular, shot at the studio, that set the trend for future choreographers. 1948 Chandralekha Tamil S. S. Vasan S. Rajeswara Rao & M. D. Parthasarathy a magnificent movie by S. S. Vasan that was a first for a Tamil to achieve All India distribution and brought excellent returns. 1948 Chandralekha Hindi S. S. Vasan S. Rajeswara Rao & M. D. Parthasarathy a magnificent movie by S. S. Vasan that was a first for a Tamil to achieve All India distribution and brought excellent returns. 1949 Apoorva Sahodarargal Tamil Acharya S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. 1949 Nishanl Hindi Acharya S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. 1949 Apoorva Sahodarulu Telugu Acharya S. Rajeswara Rao, M. D. Parthasarathy & R. Vaidyanathan A `costume adventure` film in three languages – Tamil, Telugu, Hindi, and a major success. 1952 Moondru Pillaigal Tamil R. Nagendra Rao M. D. Parthasarathy & P. S. Anandaraman 1952 Mugguru Kodukulu Telugu R. Nagendra Rao M. D. Parthasarathy & P. S. Anandaraman 1953 Avvaiyyar Tamil Kothamangalam Subbu M. D. Parthasarathy, P. S. Anandaraman & Mayavaram Venu A Tamil film that proved a major box-office hit. 1954 Rajee En Kanmani Tamil K. J. Mahadevan S. Hanumantha Rao 1954 Rajee Naa Pranam Telugu K. J. Mahadevan S. Hanumantha Rao 1955 Insaniyat Hindi S. S. Vasan C. Ramchandra film starring Dilip Kumar and Dev Anand. 1958 Vanjikottai Valiban Tamil S. S. Vasan C. Ramchandra starring Gemini Ganesan, Vyjayanthimala and Padmini. 1958 Raj Tilak Hindi S. S. Vasan C. Ramchandra starring Gemini Ganesan, Vyjayanthimala and Padmini. 1959 Paigham Hindi S. S. Vasan C. Ramchandra A Hindi film starring Dilip Kumar, Vyjayanthimala and Raaj Kumar. 1964 Zindagi Hindi Ramanand Sagar Shankar- Jaikishan A Hindi film starring Rajendra Kumar, Vyjayanthimala and Raaj Kumar. 1965 Vaazhkai Padagu Tamil C. Srinivasan Viswanathan–Ramamoorthy A Tamil film starring Gemini Ganesan, Devika 1966 Motor Sundaram Pillai Tamil S. S. Balan M. S. Viswanathan This was Sivaji Ganesan's sole film for Gemini Studios. After S. S. Vasan's death, his son S. S. Balasubramanyam took the reins. 1968 Oli Vilakku Tamil Tapi Chanakya M. S. Viswanathan MGR Film with S. S. Vasan 1969 Manushulu Marali Telugu V. Madhusudhana Rao K. V. Mahadevan starring Shoban Babu 1970 Samaj Ko Badal Dalo Hindi V. Madhusudhana Rao Ravi starring Parikshit Sahni, Sharada, Prem Chopra and Pran. 1971 Irulum Oliyum Tamil Puttanna Kanagal K. V. Mahadevan starring A. V. M. Rajan, Vanisri 1975 Ellorum Nallavare Tamil S. S. Balan V. Kumar This was a flop and the studio's fortunes declined in the 70s and it was taken over by Anand Cine Services later. Aftermath edit After the studio was abandoned for two decades, the headquarters was demolished and replaced by a luxury hotel called The Park in 2002.[6][7] References edit A Madras Miscellany, S. Muthiah, Published by EastWest Books, pg 644 Categories A Madras Miscellany, S. Muthiah, Published by EastWest Books, pg 260 "The Hindu : Recalling what Gemini did". Hindujobs.com. 8 July 2002. Archived from the original on 8 July 2012. Retrieved 9 January 2012. "B News Kolhapur Segment". B News. 19 June 2011. Archived from the original on 15 December 2021. Retrieved 23 July 2020. Jeevanmukthi (1942), blast from the past, M.L.Narasimham, The Hindu, 13 November 2011. "Gemini Studio a dream hotel now". The Times of India. 16 May 2002. Archived from the original on 5 February 2009. Retrieved 9 October 2018. "The Park Hotel Chennai, The Park Hotel Chennai India, Reservation of The Park Hotel Chennai, Deluxe Hotels in Chennai". Chennaihub.com. Retrieved 9 January 2012. Bye27 %3 minutes4
85Saniya27 %3 minutes 47 seconds4
86Hussanpreet singh27 %5 minutes 49 seconds4
87Chhavi20 %1 minutes 40 seconds3
88Hussanpreet singh20 %3 minutes 47 seconds3
89Ashok mithri13 %8 minutes 42 seconds2
90Ladol7 %1 minutes 47 seconds1

Key Topics Covered in the Quiz

The Gemini Studios and its functioning
Use of satire and humor in the chapter
Important characters like Subbu, the narrator, and the boss
The irony of ‘pancakes’ in the chapter

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